Wednesday, April 28, 2010
Adobe Photoshop CS5.... For $198!
I have already stepped up to the counter, put my money down, and begged them to please send me Adobe Photoshop CS5 as soon as it comes out. In fact I am sitting on the front porch as I write this because I can't wait to get my hands on it.
Usually I hem and haw when it comes to upgrades, sometimes I will skip a version, buying software with every other major release.
Not this time, after hearing the opinions of photographers I respect I knew I was getting on the Adobe CS5 bandwagon.
Two weeks ago when Joel Grimes was here he displayed his workflow and it's obvious by his work that he uses Photoshop, but he uses third party programs to perform some of his tasks, like HDR and making complex selections. More than once he commented that he was looking forward to CS5 as it would eliminate the need to use other programs to perform these tasks.
One greatly improved feature people are raving about are the selection tools, you can watch Terri White separate a woman with long flowing (and blowing) hair from the background using the new edge detection tool here.
Wanna see more new (or improved) features in CS5 like noise reduction, layers improvement, content aware fill, and puppet warp in action? Scott Kelby (and friends) have put together a new Adobe Photoshop CS5 learning center that you will want to visit.
I am sure at this point you are thinking "Please, just tell me where I can get CS5 for $198!". If you are lucky enough to have a student or teacher in your house you can get the full (and boxed) version of Photoshop CS5 Extended at Journey ED for only $198 (Windows version here, MAC version here)!
Crazy, I know! And if you order by April 30th they will ship it to you for free.
You can compare what is new and/or different between "regular" Photoshop and Photoshop Extended at the Adobe website (extended version here and regular version here).
And just in case I haven't provided you with enough links, here's one more, probably the greatest collection of CS5 resources in one place.
I will leave you with a video, probably one of the most talked about features in CS5 is "content aware fill" and this video demonstrates just how well it works.
If you are a subscriber (and you know who you are) you know that videos are not pushed through with your subscription so you'll need to return to the blog or head directly to YouTube to watch it.
Enjoy...
Tuesday, April 27, 2010
DIY studio for product photography...
The cans with sticks look extremely useful and I will be making some for myself this weekend.
If you find this video interesting/useful you might want to check out the library of videos done by Pro Photo Life, they have over 30 well done photography videos of interest to photographers of all levels.
Subscribers will need to return to the blog or head over to YouTube to watch the video posted below.
Friday, April 23, 2010
Westcott Ultimate Flash Kit Review...
Here are a few points I did not make I didn't make well) in the above video.
The quality of the materials and workmanship in this Westcott softbox is as good as it gets. Two things that really stuck out for me: 1) I loved how the rotating adaptor ring spins 360 degrees so I could position the softbox at any angle I want allowing me to wrap light on my subject in unlimited ways, and 2) the light stand/flash bracket is all metal so it stayed in the position I put it in and I could tighten it without the fear of it breaking (which is pretty common in the less expensive plastic models).
Westcott is currently running a $100 off sale for this kit, you find more about it here, you can also get more product details here.
Below are sample images we took using the Westcott Ultimate Flash Kit, no bounce, no other light modifier or enhancer. Imagine the things you could do in combination with other light modifiers.
The model in these shots is Bethany, she was one of the models that we used at a recent seminar and we will surely be using her in future projects. If you are in southern Maine and are looking for a model for an upcoming shoot/project you can find Bethany on Model Mayhem.
Click on any image to view larger and in a new window.
Wednesday, April 21, 2010
Interview with Joel Grimes...
One thing Joel talked about (but it did not make the interview) is one way to grow as a photographer is to push yourself with weekly self assignments. Great advice.
The interview is (just) under 10 minutes and worth every second, except the parts where my chin wobbles like a freaking turkey gobbler.
;)
You subscribers know the routine, videos don't get pushed thought with your subscription so you'll need to return to the blog or head directly over to Weekly Photo Tips on YouTube to watch it.
Tuesday, April 20, 2010
HOME OF PRETTY
Monday, April 19, 2010
A woohoo weekend...
There will be a lot more to follow, a video interview, a behind the scenes video covering the two days, and images from the attendees, but for now I am going to leave you with these four images, kindly supplied by Trent Hobbs.
It is important to note that the last image of Bethany has not been edited in any way, it is straight out of the camera and is a great example of how incredible the lighting techniques are that Joel taught us over the weekend.
(a lot) More to come...
Thursday, April 15, 2010
More on DIY LED lighting...
Here is a post from Judith on Photojojo showing her LED keychain lighting setup, shots she did along with comments and sample shots from her readers.
You will find a handful of articles here posted on DIY Photography from an introduction to LED lighting to Painting with LED's, all well worth your time.
It would be very cool to see the images you do using this lighting method so please feel free to post them on our Flickr group and share them with the rest of us (I double dog dare you!).
If you need a refresher or missed the original post you can find it here, or you can go directly to our YouTube channel just to watch the video.
Don't be surprised if you don't hear from me again until next week, we are busy getting ready for the two day Joel Grimes workshop being held at our studio this coming weekend.
Wednesday, April 14, 2010
THEY'RE NOT FRESH, BUT I LOVE THEM ANYWAY!
These bouquets were created by Amanda Heer of Fantasy Floral - Home Of The Brooch Bouquets. Each bouquet is made up of several brooches in different sizes, styles and colours giving you a very vintage look.
And these handcrafted beauties are made entirely of pieces of silk, linen, cotton, and upholstery fabric by Milkpod Studio. Milkpod also makes corsages, boutonieres, centerpieces, pomanders, and really sweet hair clips out of fabirc too.
Tuesday, April 13, 2010
Martha Stewart weddings...
I had traveled to Long Beach Island on the Jersey Shore to shoot a wedding with Stacey Kane (I'm known as her "boy Friday") and we ran into the most outrageous weather - heavy rains, gale force winds, along with astronomical high tides that led to some serious flooding (you can read the originals posts here and here).
Luckily the weather broke just in time for the ceremony to be held on the beach and all went perfectly.
A few days ago Stacey emailed me to let me know that the wedding is being featured on Martha Stewart Weddings!
How cool is that... ;)
Here are a couple screen shots, if you click on either they will open up larger in a new window, or you can just head over to Martha Stewart and see the entire post.
We are heading back to Long Beach Island for another wedding next month, I hope the weather is just a bit better.
Sunday, April 11, 2010
WIN YOUR WEDDING FILM!!
Shot entirely on the beautiful and timeless medium of 8mm and 16mm stock, in either colour and/or black and white, { First Kiss Films } uses traditional cinematic techniques to capture the emotion of your day. Not only will your film allow you to be transported back to your wedding day time and again but it makes for a truly unique heirloom that you and your family will cherish for generations to come.
About the lovely Bridget:
{ First Kiss Films } was born when Bridget Farr the artist fell in love, got married, and became Bridget Redmond the artist and wedding cinematographer. Now Bridget is applying her 15 years of film making and photography experience to capture the beauty of once-in-a-lifetime moments. A graduate of both Film Studies and the Photographic Arts, her numerous award-winning films have been screened at international film festivals and events on all five major continents. Her photography has been exhibited in galleries and museums around the world and on numerous touring exhibits including Oprah's "Live Your Best Life" Tour.
Head on over to the { First Kiss Films } blog for details and contest rules. You have until 5pm (EST) Friday April 30 2010 to enter with the winner being announced Tuesday May 4 2010. Good luck!!
Saturday, April 10, 2010
Just one more week to go...
Until I'll plunk my ample butt in a chair to absorb everything Joel Grimes has to offer.
Joel will spend two days (April 1th & 18th) teaching his workshop "Taking your creative vision to the next level" at our new studio here in Biddeford Maine.
I'm also excited about the chance to meet with and share information, techniques, and business ideas with other like minded photographers.
For complete workshop details and to reserve your seat visit the workshop page here, and please feel free to email me if you have any questions.
See ya there!
Friday, April 9, 2010
THE CHIC CHANDELIER
DIY lighting for macro photography...
The online store where I bought my LED lights is currently out of stock but I do have some alternatives for you. You can get them here for $3.98 for 10 (free shipping), here they are $3.95 for 7 or $6.40 for 14 (free shipping), and here they are $3.50 (but there is a shipping charge).
To give you an idea of how well these LED lights work, the first three images were taken in a dark room (after sunset with no other lights on) using 9 LED's and the final images were taken with a lamp on in the background using 7 LED's. All were shot with a 60mm macro the lens within 6-8 inches of the subject.
If you are a subscriber you know the drill, the YouTube video does not come though with your subscription so you really will want to return to the blog or head over to YouTube to watch it.
Wednesday, April 7, 2010
WEDDING DRESS WEDNESDAY
Getting gear back to baseline...
Yup, me too. Unless of course you're a client reading this, then I NEVER do that!
So I put together a “back to default” list to go through after each and every session, so that when I grab my gear for the next shoot I’m ready to go.
I do this after a shoot rather than before so I can be concentrating on the task at hand, the shoot (NOT resetting gear).
This was not an “original thought” on my part but an idea I got from the list Scott Bourne uses for himself.
So here’s my list:
1. Remove any and all filters (NOT lens protector/UV filters)
2. Turn off VR on all stabilized lenses
3. Set all lenses to autofocus
4. Set white balance to AUTO
5. Set ISO to 200
6. Put camera on MANUAL set shutter @ 1/200 & f11
7. Put camera on APERTURE priority and set @ f2.8
8. Put camera on SHUTTER priority and set @ 1/125
9. Reset focus point to the center
10. Run camera auto sensor cleaning
11. Turn camera bodies off
12. Remove and recharge all camera batteries
13. Set all flashes to MANUAL (1)
14. Flashes off
15. Remove all flash batteries (2)
16. Break out goat hair brushes, cleaning cloths, and canned air (3)
17. Remove all equipment from camera bag and my “bag of light”
18. Thoroughly vacuum both bags
19. Clean all parts (4) of all gear
20. As it's cleaned, return it to its appropriate bag/place (5)
(1) I use my flashes in manual 99% of the time which is why it's my default setting, if you use your flash in a different mode then that should be your default setting.
(2) I take these batteries home as there is plenty of life for game controllers and remotes. I start each shoot with new AA batteries (incorporated in my pricing). I have had just enough problems with rechargeable batteries that I no longer use them. Plus they won’t hold a charge for very long at all, so recharging 36 batteries just before a shoot is a task I do not need.
(3) Don’t grab just any can of air, get something made specifically to be used with cameras (like Beseler).
(4) By “all parts” I mean ALL PARTS - things like brushing both sides of the lens cap, removing (and cleaning) the screen protector, and using a rocket air blower in the cameras battery chamber.
(5) If you shot with me last year or shoot with me next, you will find everything in the exact same place (not only in the same place but positioned the same way too), so that when I need it during a shoot I know exactly where to find it (some would call that anal, I call it organized).
Tuesday, April 6, 2010
LOUNGING AT YOUR WEDDING
Cassandra Cherneski of The Florida Bride's Blog offers the following five tips as general guidelines to creating a fabulous lounge space at your wedding.
Choose the physical space.
For some reception venues, this may be easier than others. Perhaps your venue already has a separate little enclave that would be perfect for a tucked-away lounge space. But if you’re dealing with an enormous ballroom, you’ll have to get a little bit creative. Try using pipe and drape to delineate a separate area for your lounge. Or group your dinner tables in one section, and place your lounge area in its own corner of the ballroom.
For reception venues with outdoor space, this is the perfect place to put a lounge, provided the weather will be comfortable. The comfortable furnishings and outdoor breezes will definitely inspire your guests to put your lounge area to good use!
Select your furnishings.
Your furniture is the foundation for the entire look of the lounge. Typical lounge furniture items include sofas, loveseats, benches, and ottomans. You can mix and match these items to create a customized space all your own. Most major metropolitan areas have a rental company that provides these items, so try googling “wedding lounge furniture” and see what you find. Your event planner should have connections as well, and may even be able to offer you a discount!
Some tips for your furniture: I love to keep the furnishings all one color. This way you can create a neutral base for your accessories, which helps them really pop. I also like to match the styling of your furniture to the overall feel of the event. For example, for a shabby-chic wedding I would choose Victorian-looking furniture with curved backs, rolled arms, and carved wooden feet. For a modern wedding, try all-white leather, and geometrically shaped pieces.
Almost every successful lounge area uses pillows to create “pops” of color and to customize the space. Depending on your overall look, you could get away with just a few pillows, or you could use tons of them. Typically, your rental company has these; but you can also find great pillows at home-décor stores, often at prices comparable to or less than rental prices. Use your pillows to tie the space to other areas of your reception, and to incorporate your wedding colors. Look for pillows with unique textures and embellishments. You may also consider pillows made of luxe fabrics, such as dupioni silk or tucked taffeta.
Don’t forget the little touches that add character and personality to your space! Think residential elements: carpets, lamps, candles, floral arrangements. Incorporate the unexpected. If your lounge space is outdoors, don’t neglect your overhead space. Can you string lights or paper lanterns above? If your space is near a tree, think pomander balls or votive lanterns hanging from the branches.
One caveat when adding accessories: keep it simple. You don’t want your sleek space to become cluttered.
Last but not least, add lighting! It may be as simple as groupings of votives or pillar candles on “coffee tables.” Or you may want to rent elaborate par can lighting. For those going for the modern look, some rental companies are offering LED “glow cubes” and benches. For a beachy theme, the tiki torch really sets a mood. You want your guests to bask in a sultry glow in your lounge space. Leave the lighting low enough to be romantic, but don’t leave your guests in the dark!
THIS MONTH'S VIVA LA WEDDING Q&A
UNDER THE BIG TENT
With all that goodness however comes a heck of a lot of work. Unless you've made it a habit of hosting large events in the past, chances are you don't have stored in your garage a tent, 30 tables, 300 chairs, a dance floor, and all the linens, dishes, etc, etc, etc needed to pull a backyard wedding off.
Unlike a downtown hotel or conference centre who because of the many events they host will already have these items on site, you'll need to bring them in yourself. Fortunately Ottawa is full of great rental places to help you out.
Thinking of having a tented backyard wedding? Here is a checklist of just a few items you'll need to rent and things to consider.□ Tent
- Large enough to fit head table, all guest tables, dance floor, dj/band, stage/platform, cake table, gift table, bar, cruiser tables, lounge style seating, etc
- Weatherproofed (wind, rain resistant)
- Roll up sides/windows
□ Tent decor
- Ceiling swags
- Drapery for main entrance
- Drapery around support poles
- Chandeliers
- Paper lanterns
- Ground luminaries around perimeter and to create pathways
- Gobo or spotlights to project patterns on walls/floor/ceiling
- Flooring if ground is not firm
- Large potted flowers/plants/trees
- etc
□ Tables
Ceremony – once ceremony is over, tables rented for ceremony can be moved to reception site and used there
- Table to sign marriage certificate
- Table for sand ceremony, stone blessing, etc
- Table for programs, water bottles, etc
- Table for DJ/musician if required
Cocktail Hour
- Cruiser tables
Reception
- Guest tables
- Head table or sweetheart/couple’s table
- Table for escort cards
- Guest book table
- Tables for DJ
- Tables for bar
- Cake table
- Gift table
□ Chairs
Ceremony – once ceremony is over, chairs rented for ceremony can be moved to reception site and used there
- Chairs for all guests
- Chairs for musicians
Cocktail Hour
- Lounge style seating
Reception
- Chairs for all guests
- Chair for DJ
□ Linens
Ceremony
- Table cloths
- Skirting
- Chair covers if required
Cocktail Hour
- Table cloths
- Table runners/overlays
- Cocktail napkins
Reception
- Table cloths for all tables
- Skirting
- Table runners/overlays
- Chair covers if required
- Dinner napkins
□ Caterer
- Hors d’oevres for cocktail hour
- Plated/buffet/home style meal
- Coffee/Tea service
- Late night buffet
- All tableware (dinnerware, flatware, glassware)
- Cooks
- Area for cooks to cook/prep meal
- Servers
- Bartenders
- Bar area for bartenders
- Ice
- Garbage
□ Table top
- Centerpieces
- Table numbers
- Place cards
- Menus
- Guest favours
□ Dance floor
□ Podium
□ Lighting, sound system and electrical
Ceremony
- Microphone so guests can hear the officiant as well as the bride & groom
- Microphones/speakers for musicians
- Outlets for electrical
- Extension cords
Reception
- Microphone for speeches
- Lighting for evening receptions
- Outlets for electrical
- Extension cords
- Generator
□ Gift table
- Card box
□ Signing table
Ceremony
- Pen
Reception
- Guest Book
- Pens
□ Washrooms
- Rent portable washrooms
- Don’t forget lighting to/in washrooms for evening receptions
□ Parking
- Need sufficient space for all your guests to park
- Consider parking restrictions
- Parking signs to be posted or hire parking attendant to direct guests to parking
- Lighting to guide guests to their vehicles for evening receptions
□ Heaters/fans
- Portable heaters for cool evenings
- Lap blankets or wraps
- Fans if tent is not air conditioned
□ Bug Repellent
- Spray for bugs ahead of time
- Use citronella candles
- Rent bug zappers
□ Permits
- Special occasion permit (SOP)
- Liquor liability for private residence
- Party alcohol liability insurance
□ Noise restrictions
□ Neighbours
- If neighbours aren’t invited but may be affected by your wedding (more traffic/cars parked on the street, noise late into the evening) it’s common courtesy to let them know you’re hosting a big event
□ Disabled guests
- Walkways easily accessible for those in wheelchairs and using canes
- Appropriate washroom facilities available
- Rent small golf cart to transfer older guests if hilly/uneven terrain or great distance between ceremony and reception site
□ Rain
Ceremony
- Reception tent to double as ceremony area
- Ceremony to take place on dance floor
- One row of seating on each side of dance floor designated for parents/grandparents
- All other guests to either stand on dance floor or to be seated at assigned tables for duration of ceremony, mingle during cocktail hour and then be seated at same tables for dinner
- Keep extra umbrellas at entrance of tent for guests to use
Pictures
- Tent
- In house
- Nearby heritage buildings, museums, etc
□ Sun
Ceremony
- Consider direction of chair set up (you don’t want your guests looking into the sun)
- Check with your photographer for picture purposes
- Set up a beverage station with pitchers of ice water and fresh cut lemons so guests can help themselves or provide bottled water
- Hand held fans
- Sunscreen
Cocktail
- Provide shaded area for your guests if you don’t want them in the main tent until dinner
□ Wind
- Make sure candles are protected by using hurricanes, lanterns, fishbowls, etc
- Use weighted vases for flowers on table tops
- Heavy centerpieces will help keep linens down, pin whatever can be pinned
- Let you guests know in advance that they will be attending an outdoor wedding so they will be prepared and can dress accordingly
Monday, April 5, 2010
A little more about our winner...
How (and why) did you became a photographer?
"Oh, gosh ... calling me a photographer is a stretch! It sounds so serious! I first started getting interested in DSLRs last year, and got my first, a Nikon D3000, last summer. I believe I bargained for it by telling my husband he could get MSU season football tickets if I could get my camera :). I was getting tired of always missing photos of our kids because our point-and-shoot was too slow, or took too long to turn on, or took terrible photos in dim light, etc. An online friend was talking about how much she loved her Canon DSLR, and it didn't sound as intimidating as I'd always thought they'd be."
What do you shoot and why?
"I couldn't say why I really chose Nikon, other than my point & shoot, which I was getting really fed up with, was a Canon, and I'd heard really good things about Nikon's entry-level DSLRs."
Do you have a couple of your "most important" images (and what makes them important)?
"I wouldn't really call any of my pictures "important", but these are my two of my favorites and why I love them:"
"This is of my son Eli at the park ... it's one of the first photos I took with my D3000 that I really loved. I love the expression on his face and how the background is blurred -- I was just learning about bokeh!"
"I took this shot of a female cardinal at my parents' house. It was the first time I really was able to put my then-new 55-200mm lens to good use. It also really instilled in me a burning desire for longer, very expensive lenses!"
Congratulations Alexis, I hope you enjoy the book.
Stay tuned as we will be announcing our next contest real soon
Sunday, April 4, 2010
Easter post...
We all hope that should the situation arise, we would rise to meet it (though seeing what transpires on reality shows perhaps I am too inclusive using the word "we").
For Michael A. Monsoor the situation came in Ramadi, Iraq.
While on an operation with three other Navy seals a fragment grenade was thrown into their position hitting Michael in the chest before falling to the floor.
The way the position they were defending was constructed there was only one access point for entry or exit and Michael was the closest to it, Michael was the only person who could get out of the room prior to the grenade exploding.
Instead of leaving Monsoor yelled, “Grenade!” then dropped on top of it, covering the grenade with his body and shielding the others in the room from the explosion.
Michael was evacuated to a battalion aid station but died about 30 minutes later from injuries sustained by the grenade blast.
During his funeral, as the coffin was moved from the hearse to the grave, Navy SEALs lined up in columns of twos on both sides of the pallbearers route, with the coffin moving up the center.
As the coffin passed each SEAL, they slapped down the gold Trident each had removed from his own uniform and deeply embedded it into the wooden coffin. For nearly 30 minutes the slaps were audible from across the cemetery.
Michaels parents accepted the nation’s highest military honor, the Medal of Honor, on behalf of their son during a White House ceremony April 8, 2008.
You can read more about Michael A. Monsoor, a man who laid down his life for his friends, here and here.